Dreamy Hollywood Glam

The last Monday in August, my friend Mondo, who is an amazing make-up artist, and his friend Irving (who does hair) wanted to put together a photo shoot using some of my jewelry and vintage clothing.  It was about 95 degrees that day, and we were all out in the park, dressed for fall weather, futilely trying to stay cool.  Despite the weather, I must say the shots came out pretty great!

The first shot we did used a random collection of pieces from my line, all piled on top of each other, for an over-the-top shot.  Most people aren't going to wear it this way, but it's a really impactful image to see so many detailed pieces right next to each other.  The model is wearing the Paris Cuff in silver, Windsor Cuff, Rouen Cuff, Constantinople Cuff, Barcelona Cuff, Paris Necklace in copper, and Copenhagen Triple Drop Earrings in champagne.

Then they made up one of the models to be a 1930's/1940's vamp.  She is wearing the Copenhagen Petal Drop Earrings.

The next shot has a 1920's look and features the Copenhagen Triple Drop Earrings in champagne, and the Copenhagen Necklace.

The last shot conjures up a feeling of Gloria Swanson as Norma Desmond in Sunset Boulevard.  In some of the shots, the model also resembles Joan Crawford.  I think these are my favorite.  She's wearing the Windsor Drop Earrings, Windsor Cuff, and Constantinople Cuff.

We had so much fun dressing them up, and I can't wait to do it again!

Paris

I fell in love with France when I was about 12 years old.  One day I woke up and decided I was going to be French.  Well, maybe it was that I was going to be a fashion designer...  Anyway, everyone knows that if you're a fashion designer you have to live in Paris, so naturally had to learn French.  

On the first day of French class, I was so excited - I was going to be a French girl!  I started doing everything French - wearing red lipstick, eating croissants, putting my hair in a French twist, flipping through copies of French Vogue...  

We started with the basics - Bonjour, je m'appelle Suzie, comment ca va? etc, etc.  Then came the first verb and its conjugation chart: aller.  Je vais, tu vas, elle va, nous allons....  What???  I was so confused.  What was a conjugation chart?  Why had I never heard of this before?  This wasn't what I bargained for....  I slowly started to panic - I would never learn how to speak French or be a French girl, and all my big dreams of becoming a famous French fashion designer started to crumble...

Thankfully when I showed up to class the next day, everyone was just as, if not more, confused than me.  After a few days, everything started to magically click, and I was again confident that I would one day be French.

That is, until the end of the school year...  I enrolled in French II, but there were not enough students signed up for the class, so they decided they weren't going to offer it.  I was crushed.  How could they not offer French II?  After I had learned all that vocabulary and those verbs, and - didn't they know I was going to be a famous French fashion designer?  I mean, this wasn't just a foreign language class; this was my life! 

I came home so upset.  My father finally calmed me down and talked to the school counselor the next day.  They were able to work out a plan so that I could attend another school for my French class the next year.  I had to get up at 5 am every morning to do this, but I was determined.  Sometimes I wonder what I was thinking...  I had magical images in my head.

By the time I graduated high school, I had completed 6 years of French.  I took two more years in college and spent a semester in Paris.  It was pretty amazing.  The first 24 hours in the city were like a dream.  Part of that was probably the jet lag, but it was my first time in a foreign country (besides the Texas/Mexico border, which doesn't really count), and I was overwhelmed with the sense of adventure.  It was a mixture of fear, anxiety, curiosity, and excitement - the same feeling I get today when traveling to a new place.

Paris is a city of quirky free spirits and artists, who sit in cafes in the Marais having intense intellectual discussions about poetry, literature, and art.  It's a city of elegant, wasp-waisted women riding their bicycles along the Champs Elysees, with the obligatory baguette and little dog in the front basket.  It's so tantalizing and appealing.  Who wouldn't want to be French?

There is so much attention to detail and beauty as a part of the French culture, and I think that's what I so strongly identified with.  I remember being in a cafe and looking at the intricate mosaic tile pattern on the floor - a fan of scallops, with ombre shading in copper and rose gold edged in a delicate line of pewter danced in front of my eyes.  The gradations in color were accented by the dim lighting in the cafe. 

This inspired me and ultimately led to the Paris collection:

More Color Inspiration for Spring

In one of my recent posts, I talked about color as a major inspiration for me.  Recently I have become obsessed with Ballerina Colors, but also mixing metallics and the mixture of metallics with a pop color.  This is very evident in my new diffusion line, Suzie by Suzanna Dai.  You can read more about it on my friend Erin's blog, Sugar Rock Catwalk: http://sugarrockcatwalk.blogspot.com/2009/11/preview-and-interview-suzie-by-suzanna.html

Two sets of necklaces and earrings from my new Suzie line, which mix metallics with a bright pop of color.

When I was younger, I thought mixing metallics (like silver and gold) was a major faux pas, but I've come to realize that they can look quite nice together.  For example, I LOVE the mixture of gunmetal, pewter/antique silver, and coppery rose gold.  It looks so new and refreshing, and I just can't get enough.  

Paris Cuff from the Spring/Summer 2010 Suzanna Dai line

I also do like the mix of gold and silver, in many variations: pewter mixed with antique gold and a pop of bright silver looks very edgy and mysterious.

Necklace and Earrings from my new Suzie line

Mixing bright silver with pale gold and champagne renders an entirely different look - very clean and proper.

Paris Necklace in pale gold and silver from the Suzanna Dai Spring/Summer 2010 line

I've always experimented with color, for as long as I can remember.  When I was six, I vividly remember wanting to wear red and pink together, but my mother wouldn't let me because she thought they clashed.  To this day, I still love the combination of red and pink and continue to experiment in mixing colors.  It's so exciting to me.  Luckily, a lot of the old rules no longer apply.  I love winter whites, so that rule about not wearing white after Labor Day?  Gone.  What about not mixing black and brown?  As long as it's done with intent, anything goes, although I have to say, I've never been a fan of mixing navy and black...